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Thanks to the subscribers for the wonderful questions!
I think I suffer from an over-active amygdala. I often easily get "triggered" and experience adrenaline release, shaking hands and voice, and find it very embarrassing as it also impacts my ability to rationalize my thoughts. I want to be able to stay calm in tense situations, particularly when I am facing a conflict or a disagreeable person.
Do you have any advice on how to train myself to remain calm? I am frankly sick and tired of trying to calm myself down, appearing weak in difficult situations, and replaying these situations back in my head afterwards. I find I have diminished self-respect after experiencing one of these events.
Do you have any thoughts on why tragedy in art, in the Shakespearean sense, has completely vanished? Movies, TV shows, plays, etc.
I feel in my gut like these tragedies missing from the art landscape is a real problem/done on purpose... But I can't quite formulate an argument as to why.
Do you have any advice on how to best detach from family's shame? I know I've been raised to manage my parent's irresponsibility and shame. In other words, they (and some of my siblings) either couldn't process their own shame and inflicted it upon me or used it as a manipulation tool against me. I'm the youngest one in the family.
Whenever they fail, I feel like it's my responsibility to shield them from consequences or I should somehow help them. When someone from my family of origin does something embarrassing and I get to know about it from a third person, it sometimes feels even worse. I'm working through this issue and getting angry at this situation helps, but not entirely.
I've defooed from most of my family as they've treated me badly in the past and even in recent years. The one sibling I have the best relationship with still keeps in contact with my family of origin and sometimes likes to complain or talk about it. I've asked him not to do that, but I still got that morbid curiosity in me and this topic slips into our conversations from time to time. I've even ignored or blocked some family members to deny them access to me via text as to avoid them triggering me.
I just listened to a call-in show where you mentioned wanting to buy glasses and getting annoyed at a saleswoman for not warning you about extra expenses and her getting extremely anxious as a reaction. Her repetitive compulsion was to provoke anger in others.
But why is it that showing excess fear and stress provokes aggression in others? Is it the primal need to dominate? I've been on both sides in these situations. I remember my aggression towards someone like that had something to do with feeling of power - feeling better than/superior. In the opposite scenario I managed past fears of making mistakes thus annoying those around me.
With greater self-knowledge now I treat others better in such situations, but I'm still struggling with provoking others, assuming they're not total assholes to begin with. I know this comes from my childhood, but why it is easier to learn to treat others better than myself?
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Stefan Molyneux looks at the ethical issues around "necessary evils" by drawing on real-world examples. He asks if unethical steps can ever be justified in dire cases, such as to save a life. He critiques how AI shapes media stories, digs into property rights during crises, and raises questions about whether someone might steal medicine to help a dying family member. Molyneux points out that weakening property rights discourages new developments and brings unseen wider harms. He pushes for considering ethical problems in their full context and stresses the role of individual accountability and group support in dealing with underlying poverty.
0:00:00 Necessary Evils Explored
0:03:16 The Ethics of Emergencies
0:06:05 Consequences of Stealing Medicine
0:08:56 IQ Tests and Economic Understanding
0:11:39 Genetic Differences and Intelligence
0:20:31 The Cycle of Poverty
0:27:28 The Role of Charity in Society
0:32:15 Consent and Morality
0:38:33 Understanding Property Rights
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Stefan Molyneux examines Bitcoin's price swings and how ETFs can provide stability for wary investors, while noting his own indifference to daily fluctuations. He addresses fraud within certain communities, focusing on a documentary about daycare practices in Minnesota, and criticizes the government's varying responses across demographics.
He contrasts the unpredictable plots in Asian cinema with Hollywood's more formulaic approach, exploring how cultural expectations influence artistic choices. Turning to works like The Great Gatsby and 1984, he considers ideological effects on literature and the links between storytelling and ethics. He ends with a discussion on narrative predictability and societal influences on creativity.
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